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NYK 140th Anniversary
NYK Line — 2025
- AI FILM
- ORIGINAL SCORE
- SOUND DESIGN
- AI VOICEOVER
generated roughly 40% of the film's footage and wrote everything you hear.
Built on story, finished for realism. Picture and sound, as one.
Trusted by
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NYK Line — 2025
generated roughly 40% of the film's footage and wrote everything you hear.
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Google, with SAFU Studio — 2026
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Spec — 2026
a shovel travelling from South Africa to Stockholm. The brief was three nouns. Everything else — story, picture, score — is mine.
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Google — 2025
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Zoégas, for Deep — 2026
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Listed — 2025
Eleven years as a composer and sound designer. Scored series for SVT and Viaplay. Brand films for Google Cloud, NYK Line, Zoégas and Listed.
Every critique of AI film names the same failures: lip sync, character drift, physics, camera. None of them names sound. That is half of why the work does not feel real, and it is the half nobody is fixing.


40+ productions. 850+ shots planned. Built solo.
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AI pre-production was scattered across documents, design boards, image generators and review links, with no single place the work lived.
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a collaborative pre-production platform. Asset library with scene inheritance so characters, locations and props stay consistent across every shot in a scene. Timecoded video review. An MCP connector so Claude, Cursor and ChatGPT can read and edit a production directly.
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private beta. Users are working directors, cinematographers and creative technologists, predominantly Los Angeles based. Running subscriptions.




Nikodemus Lindhé combines two main roles that are almost never the same person's: he directs the film, then writes the original score and sound designs everything you hear in it.
Born and raised in Sweden, half Swedish and half Brazilian, he grew up surrounded by the arts. The storytelling came from his father, a writer and director; his visual attention to detail came from his mother, a Brazilian visual artist.
He started out scoring Swedish series for Netflix, SVT and Viaplay, then moved to brand films for Google Cloud, Zoégas and Listed.
His scoring began in electronic music and grew into orchestral writing, which he studied at UCLA Extension. His first AI work was scoring other people's films, and as the tools improved he began taking the picture on himself, working alongside AI director Max Larsson, a pioneer in the AI film industry, until brands like Google were hiring Nikodemus for both roles.
Nikodemus founded Anima Sono, a boutique AI production studio handling brand films and commercials end to end, and built Cineboard alone earlier this year: a storyboarding tool for directors working in AI film, now carrying 850+ planned shots across 40+ productions to date.
Nikodemus is based in west Los Angeles, open to creative leadership roles and to project work with studios and production companies.